http://greatmindsthinkdifferently.wordpress.com ...but we're all in this together... Sun, 04 Oct 2009 12:20:08 +0000 en hourly 1 http://wordpress.com/ http://s2.wp.com/i/buttonw-com.png http://greatmindsthinkdifferently.wordpress.com http://greatmindsthinkdifferently.wordpress.com/2009/10/04/food-music/ http://greatmindsthinkdifferently.wordpress.com/2009/10/04/food-music/#comments Sun, 04 Oct 2009 12:20:08 +0000 phishfluid714 http://greatmindsthinkdifferently.wordpress.com/?p=14 ]]> …what a combo…parallels! Discussion…

]]> http://greatmindsthinkdifferently.wordpress.com/2009/10/04/food-music/feed/ 0 phishfluid714 http://greatmindsthinkdifferently.wordpress.com/2009/10/04/death-cab-for-cutie-a-daimond-and-a-tether/ http://greatmindsthinkdifferently.wordpress.com/2009/10/04/death-cab-for-cutie-a-daimond-and-a-tether/#comments Sun, 04 Oct 2009 12:11:08 +0000 phishfluid714 http://greatmindsthinkdifferently.wordpress.com/?p=6 ]]> Lyrical phrases, melodic phrases, and harmonic phrases and how they line up or don’t. Song form. Lyrics. Harmonies chosen. Melody chosen. Compare and contrast the resemblance of the first beat melodically of the verse to John Lennon’s “Mother”. Attitude of the song. Ratio of I chord to other harmonies as well as what beats the I chord lies on. Production…breakdown (drums and vox)…understatement. Chord substitutions and deceptive cadences and why. (song writing tip) The harmonic rhythm specifically with the C Major chord that appears on beat 4 in the beginning half of the verse. How the first phrase is an imperfect cadence and the second is perfect. The beat on which the drums/other instruments enter on…the significance of this…and it’s relationship to the formal structure of the music (swt). 1-bar pauses between phrases or verses (swt). What this song is about. Contrary motion. Motion and lack of it. Balance and space. Penatonic melodies and borrowed chords (a great combo). The relationship to the first line lyrically and the subtext/text of “Mother”. Breakdown of each instrument (production category). The use of arpeggiation in your vocal melodies (G major descending chord opens verse). The guitar solo and how it sort of has implied harmonies even tho they are not realized and the support (rhythm section) arrangement during the solo…solo length. Mix perspective (under production). Phrase extensions and recasting of endings. Traditional and untraditional moves and when you should choose which. Chromatic inner voices in harmony movement. Is it effective and why? What is traditional and what is untraditional about this song? What works and what doesn’t? If I could change one thing and why…Oh man I can’t wait to analyze this. Brief background of Death Cab and the songwriter (to go at top) and why we’re including him in this blog. Bass drum…role of instruments…how the borrowed chords are used. Tonality. Intro and Outro. Genre category associations and influences…perhaps ask the readers opinions or facts they may know about the artist, song or even better…writing and recording process.

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